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Object Lessons: The Life of the Woman and the Poet in Our Time, by Eavan Boland
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In this important prose work, one of our major poets explores, through autobiography and argument, a woman's life in Ireland together with a poet's work.
Eavan Boland beautifully uncovers the powerful drama of how these lives affect one another; how the tradition of womanhood and the historic vocation of the poet act as revealing illuminations of the other.- Sales Rank: #1036238 in Books
- Published on: 1996-07-17
- Format: Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x .70" w x 5.50" l, .50 pounds
- Binding: Paperback
- 254 pages
From Publishers Weekly
Readers of her "Life in the 30s" column in the New York Times (collected in Living Out Loud ) know Quindlen as an astute observer of family relationships. Her first novel is solid proof that she is equally discerning and skillful as a writer of fiction. To sensitive Maggie Scanlan, the summer when she turns 13 is "the time when her whole life changed." Aware that her father, Tommy, had outraged the wealthy Scanlan clan by marrying the daughter of an Italian cemetery caretaker, Maggie is a bridge between her "outcast" mother and her grandfather, whose favorite she is. Domineering, irascible, intolerant John Scanlan looks down on both Pope John XXII and President Kennedy for deviating from traditional Catholic doctrine. His iron hand crushes his wife and grown children, and when he decides that Maggie's parents and their soon-to-be-five offspring should move from their slightly shabby Irish Catholic Bronx suburb to a large house in Westchester which he has purchased for them, tension between her parents escalates and Maggie's loyalties are tested. But other unexpected events--her grandfather's stroke, her mother's attraction to a man of her own background, her best friend's defection, her first boyfriend--serve both to unsettle Maggie and to propel her across the threshold to adulthood. Quindlen's social antennae are acute: she conveys the fierce ethnic pride that distinguishes Irish and Italian communities, their rivalry and mutual disdain. Her character portrayal is empathetic and beautifully dimensional, not only of Maggie but of her mother, who experiences her own wrenching rite of passage. This absorbing coming-of-age novel will draw comparisons with the works of Mary Gordon, but Quindlen is a writer with her own voice and finely honed perceptions. Literary Guild alternate; author tour.
Copyright 1991 Reed Business Information, Inc.
From School Library Journal
YA-- This first novel is an insightful family chronicle, an informed commentary on the '60s, and the coming-of-age depiction of a mother and daughter. As 13-year-old Maggie struggles with her identity within the boisterous Scanlan clan, her mother also finds her own place within the patriarchal family that has never accepted her. Both women experience rites of passage during the fateful summer that a housing development is being built behind their home, infringing on their emotional and physical spaces. A fast-paced plot involves small fires set in the development by Maggie's friends and romantic tension between her mother and a man from her past. Readers will appreciate Maggie's dilemmas as she grapples with peer pressure and sexual bewilderment, and as she begins to understand her mother, whose discontent oddly parallels her own. --Jackie Gropman, Richard Byrd Library, Springfield, VA-
Copyright 1991 Reed Business Information, Inc.
From Library Journal
Blending autobiography with argument, Boland, a well-known poet in Ireland, addresses the challenge of reconciling her identity as a woman and mother writing in suburbia with the male-oriented political tradition of Irish poetry. Beginning with recollections of her earlier life in Ireland and her grandmother, Boland attempts to explain the woman poet's conflict with assuming the role of creator after having been traditionally treated as an object in Irish poetry. The author, most recently of the acclaimed poetry collection In a Time of Violence (LJ 3/1/94), structures her latest book like a poem, presenting an argument, leaving it, and then returning to it again. This method is well suited to her self-conscious exploration of the duality between woman and poet. Complex and thought-provoking, this title will appeal to readers interested in the craft of poetry and woman's role as artist.?Nancy R. Ives, Geneseo Univ., N.Y.
Copyright 1995 Reed Business Information, Inc.
Most helpful customer reviews
30 of 31 people found the following review helpful.
One of my favorites . . .
By A Customer
Every now and again, we may come across an author whose writing style really touches us. And, every now and again, we may come across a story that stirs in us some indescribable, inexplicable, deep emotion within the core of our very soul. I believe I have found that author and that book. Anna Quindlen would be that author, and Object Lessons would be that book.
The first book I had read by Anna Quindlen was Black and Blue, which I had borrowed from my sister. Black and Blue was a highly captivating book because there was a lot going on with the plot of the book, but it was a bit sad at the same time. Black and Blue dealt with an abused woman who ran away with her son, and changed her identity so her husband wouldn't find her. As a result, that book was a bit on the darker side. Object Lessons has a total different feel to it. In this book, it's about an Irish-Italian family named the Scanlan's. This book centers mostly around Tommy Scanlan, and his Italian wife, Connie, and their 12-year-old daughter, Maggie. The couple has three other boys who are mentioned, but only in passing. The other three children are just background characters. Many a time, there's too many characters in a book, and in this case, it's very obvious that Anna Quindlen had an objective to focus on only a few main characters.
Tommy had married Connie when she became pregnant, and his Irish family -- his father, John Scanlan, in particular -- didn't approve. Since then, Connie had felt like an outsider with the other wives, and more than put out by her controlling father-in-law. John Scanlan was one of those larger-than-life characters, as he made a drama about most everything, and felt he had to control his sons, and only daughter, Margaret. Margaret escaped by going into the convent, but Tommy, as well as his brothers, found that John would take control of their lives by putting them in the family business, or buying a house, or sending their children to private school. John had such control over Mark, one of Tommy's brothers, that he prevented him and his wife from adopting children, as Mark had difficulty getting his wife pregnant. John Scanlan even had control over his wife, Mary Frances, making her drift into the background like faded wallpaper. Without much warning, John Scanlan became gravely ill one day when he had a stroke, and the family started changing. Maggie, Tommy's and Connie's daughter (and John Scanlan's favorite grandchild), was going through a tough growing-pain period. She was about to enter her teen years, and she was having a hard time coping with the things that were happening around her. Her relationship with her best friend, Debbie, was changing when Debbie started hanging around other kids who had a negative influence on her. Maggie's parents always seem to be distant or fighting, and now her grandfather was sick and she was seeing how her family was changing. This wonderful story takes you though this family's life, the Scanlan's, in such a realistic and creative way.
One of Anna Quindlen's best talents as a writer is her characterization. This is only the second book I've read of hers (One True Thing is another book I have put aside to read in the future), but I can safely say that her characters are so three-dimensional, and full of depth. They are so human. You don't only get a peek into the minds of her characters, but you also get a glimpse of what is in their hearts. Feelings are what Anna Quindlen is all about. I especially had a kinship with Connie and Maggie Scanlan. I could relate to the feelings of this mother-daughter pair, and I loved getting to know them with such intimacy.
I cannot rave enough about this book, because there are no accurate words to describe how good it really is. To experience it, you would have to read it for yourself.
I do know that this is one of my favorite books, and I do know that Anna Quindlen is one of my favorite authors. She's right up there with other favorites of mine: Connie May Fowler, Pearl Cleage, Alice Hoffman, , and Wally Lamb. Each of these authors are special in his/her own way, and Anna Quindlen has her own voice, and it's a strong one that you can't help but listen to.
Object Lessons was truly an enjoyable experience to read, and it's a book I'm going to have to purchase for myself (since I borrowed it from the library). It's one of those books you would want to go back to for seconds.
11 of 11 people found the following review helpful.
Not her best, but not bad either.
By A Customer
Having read One True Thing and Black and Blue, I knew I could rely on Quindlen to teach me new things about myself and my family--that she does, quite well. However, Object Lessons is much more weighed down by direct narrative than the other two books--at times, I found myself wishing the characters would talk to each other and quit thinking so much. I also found Maggie's age implausible--even the most precocious 12 and 13 year olds do not possess her incredible depth.
Connie's relationship with Tommy and subsequent realizations about what marriage is are the most powerful points in the book, and I credit Quindlen with another "perfect" ending--she is one author who does not leave her readers confused or disappointed on the final page.
9 of 10 people found the following review helpful.
Powerful; lyrical; explores issues of women, poets, Irish
By A Customer
Boland addresses the struggles of a poetess finding her voice in a society which seems to lack a place for her. Through seemingly circular reasoning, she approaches, considers, defines, and returns to consider the significance of the events of Ireland and the writing of others in her own unique and powerful voice. An enchanting read that reminds women of their own experiences while addressing the dichotomy that keeps them separate.
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